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‘Perra Puta’ One-Woman Show Explores Latin Identity, Spirituality at Orlando Fringe

Actress Vanessa Codorniu performs on stage at 2026 Orlando Fringe Festival

Photo: Ana Ferreira Lizama

From comedy to drama and storytelling, some performances at the Orlando International Fringe Theatre Festival encompass multiple genres within a single hour-long show. “Perra Puta Loca Bruja: A Latina’s Reclamation Journey” by Vanessa Codorniu is one such performance, combining spirituality and storytelling. 

Honoring Matriarchal Lineage and Wisdom

With her one-woman show, Codorniu creates a space for conversations about identity, ancestry, and the generational wisdom passed down through women. Born in Peru to Argentinian parents, Codorniu said spirituality played a major role in her life because of the matriarchal figures in her family. 

“My parents had a family altar, and to me it was alive, the candles seemed to flicker,” Codorniu expressed from the stage. “I talked to the saints, I talked to God, and I talked to nature.”

According to Codorniu, her mother, abuelitas, and great-grandmothers were all spiritual in their own ways, performing egg-cleansing rituals, using natural remedies to heal, and sharing intuitive messages that they received.

Throughout the performance, Codorniu pays homage to the women in her family who helped guide her spiritual journey while encouraging audiences to reflect on spirituality as a whole by exploring how machismo, religious intolerance, and colonization have distanced many people from spiritual practices that remain important in cultures around the world.

Vanessa Codorniu stands on stage reading with screen behind her.

 

A Latina’s Journey to Reclaim Her Culture

One of the ways Codorniu explores that history is by including two of the most important Orishas in the Yoruba religion, Yemanya and Oshun, in the performance. Both figures are associated with the natural power of the ocean and rivers and are known as protectors of women and mothers.

“The reason I honor it is that it’s been demonized. Colonization has separated people from their culture,” Codorniu told Pulp City in an interview after her May 16 performance. “It’s part of our power when we know where we come from, when I know that I’m blessed by African spirits, when I know that Indigenous spirits are with me.”

For Codorniu, spirituality became more than tradition. It became a form of self-understanding. “So my spiritual path was a way to survive, a way to feel like there was something more to life than the everyday,” Codorniu said.

 

Codorniu’s Performance Triggers Emotional Responses

Codorniu describes her solo performance as “a casual talking with a friend from the altar,” encouraging audiences not only to embrace their own spiritual journeys, but also to lean on the communities around them.

The emotional reaction to the performance was visible throughout the audience. While some attendees wiped away tears, others closed their eyes as Codorniu spoke about ancestry and the power she believes comes from embracing those connections.

“Have patience, have love for yourself, and lean on the older women around you,” Codorniu told the audience. “We need each other, and we have been taught to be ashamed of that, but it’s not good.”

The 2026 Orlando International Fringe Theatre Festival continues through May 25. To learn more, read Pulp City’s Quick Start Guide to 35 Year Weirdor visit orlandofringe.org.

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Mike Synan

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Author

  • Ana Ferriera Limaza Pulp City Magazine Intern

    Ana Ferreira Lizama is a senior at the University of Central Florida studying journalism and Latin American studies. As a trilingual reporter, she covers culture and community, focusing on amplifying underrepresented voices and narratives. Her work explores identity, heritage, and the role of storytelling in preserving and elevating diverse lived experiences.

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